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own. There were the young leaders of the protest; there was the Chinese statue of liberty. And then there was the blackout. Journalists were banned from the Square?Cand in the darkness, the massacre commenced. To this day, there are no hard figures for how many were killed. (The George H.W. Bush Administration, a bastion of foreign policy realism, remained very much on the sidelines.)And now we have the tanks in another square. They??ve been there for days, refusing to take sides. But I suspect that tomorrow is the moment of truth. The reporters have been beaten; as I write this, there are no live television cameras streaming from Tahrir Square?Cwe may be back to cell phones and tweets tomorrow, as we were in Tehran. Or not.It is impossible to know which way the Army will turn?Cbut its decision is the crucial one. I was hopeful, for a few days, that the strong military-to-military ties between the U.S. and Egypt would make the Egyptian army a moderating force; it certainly has semed to be, the past few days. But the journalists have been beaten, and Mubarak doesn??t seem to be going anywhere, and if there is one thing Gene
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ME.com: See pictures of British royal weddings)You would expect the composer of "Hair," the 1968 musical that still symbolizes the liberating energy of the '60s, to project some of that exuberance. Nope. Galt MacDermot conveys shyness.  If you applied to central casting for a church organist, they would probably send MacDermot, who, in fact, was just that in his hometown of Montreal for seven years, a period he remembers with dread. "I had nightmares during those years and several years afterward," he says. "I was afraid I wouldn't be ready, that the choir wouldn't show up." Some of his earliest compositions were church anthems. Rather than acknowledge they were his, he attached fictitious names to them, suggesting they were already venerable hymns. MacDermot, who recently turned 74, has had a long, extremely varied career. He received a Tony nomination in 1971 for scoring the musical version of "Two Gentlemen of Verona." The next year, he composed the sci-fi musical "Via Galactica," which was the first show in the Gershwin Theater, but it had a very brief run.  His last Broadway show was a musical version of William Saroyan's "The Human Comedy,"
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hing smaller. By Steven Gray(More on TIME.com: See pictures of a Detroit food bank)ALBANY - State lawmakers planned to announce today agreement on new, tougher laws to punish drunk drivers who kill and maim, sources told the Daily News. Legislation dubbed Vasean's Law, after Queens boy Vasean Alleyne, 11, who was killed by an allegedly drunken driver in October, is poised now to pass in the Assembly. The state Senate already has approved the measure, and Gov. Pataki has said he'll sign it as soon as it hits his desk. Lawmakers have been prodded by the tireless efforts of Vasean's mother, Monique Dixon, and Diana Reyes, the mother of a boy who was playing with Vasean when he was killed. The law would mean prison time for drivers who seriously injure or kill others if they are boozed up behind the wheel. "I am convinced this will really make a difference by letting drunk drivers know that now we have a real penalty and they will get justice," Dixon said in an interview last night. A drumbeat of news stories and editorials in the Daily News focusing on DWI-related fatalities, she said, helped to propel the legislation in a town noted for gridlock.
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